Camera and Retrospect: or How to Annotate Life
by Nazli Adigüzel
Since I started studying anthropology, I have been thinking about my relationship with photography. Quite often, I discourage myself from pressing the shutter button, allowing thoughts about Power and Narrative to settle in. Although a healthy amount of self-reflection and an understanding of the politics of representation are crucial to consuming and appreciating visual media, one must not forget the sheer joy capturing an instance can be. For photography is to still time, materialize an interpretive reality, and visualize the narratives we construct. Here, I share a few photographs I have taken over the years. Some are mere combinations of pixels, occupying their places in my SD card, and some have undergone chemical processing in darkrooms, now stacked on top of each other in my dusty albums. Despite their textural differences, in my opinion, they all embrace the beauty and oddities of everyday life.
In high school, my literature teacher would always tell his students to hold a pen while reading because it would encourage us to annotate. Here, I tried to choose photographs that I took before I started studying anthropology; it was a period of my life where I was truly annotating life with my camera, one eye closed and the other looking through the lens. This is mainly a reminder for me to start carrying my cameras with me, and hopefully, this can be an encouragement for you, too, dear Readers: to observe, enjoy, and capture life in any medium that satisfies your eyes and minds.